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Francis Job "Frank" Short RA (19 June 1857 – 22 April 1945) was a British printmaker and teacher of printmaking. He revived the practices of mezzotint and aquatint engraving, and also wrote about printmaking to educate a wider public. ==Biography== Francis Job Short was born on 19 June 1857, at Stourbridge, Worcestershire. He was educated to be a civil engineer. He was engaged on various works in the Midlands until 1881, when he came to London as assistant to Mr Baldwin Latham in connexion with the Parliamentary Inquiry into the pollution of the river Thames. In 1883 he was elected an associate member of the Institution of Civil Engineers. Having worked at the Stourbridge School of Art in his early years he joined the South Kensington School of Art, in 1883. He also worked at the life class under Professor Fred Brown at the Westminster School of Art, and for a short time at the Schools of the Royal Institute of Painters in Water-colours.〔(【引用サイトリンク】url=http://collection.britishcouncil.org/collection/artist/5/17601 )〕 His real life-work now became that of an original and translator engraver. He was a keen student of the works of JMW Turner; and his etchings and mezzotints from Turner's ''Liber Studiorum'' (1885 seq.), examples of painstaking devotion and skill, were among his earliest successes, combining sympathetic study of the originals with a full knowledge of the resources of engraving and unwearied patience. Short received praise, constant advice and encouragement from Ruskin, and the co-operation of students of Turner such as William George Rawlinson and the Revd. Stopford Augustus Brooke. After completing the series from the existing plates of Turner's "Liber" Short turned to the subjects which Turner and his assistants had left incomplete. Several fine plates resulted from this study, bearing the simple lettering "F. Short, Sculp., after J. M. W. Turner, R.A.," which told little of the work expended on their production even before the copper was touched. Short also reproduced in fine mezzotints several pictures of George Frederick Watts, "Orpheus and Eurydice," "Diana and Endymion," "Love and Death," "Hope," and the portrait of Lord Tennyson, all remarkable as faithful and imaginative renderings. His own fine quality as a water-colour painter made him also a sympathetic engraver of the landscapes of David Cox and Peter de Wint. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Frank Short」の詳細全文を読む スポンサード リンク
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